So it’s that time of the year where we blog about the last twelve months, summing up the triumphs and the achievements and so on. Well, to be honest I’ve always been incredibly bad at remembering what happened in what year (I know, useless isn’t it? I have a great memory for pointless facts and a terrible one for the actual timeline of my life) so this blog post will be the vaguest sort of summary of 2010, including some of the things that I’m reasonably certain happened this year.
I started and finished The Steel Walk, a sword and sorcery novel about an ex-prostitute turned swordswoman forced into protecting the unwanted child of an evil family, whilst fighting off the evil machinations of the Green Council and their dreaded “dead walkers”. It was a book that didn’t go exactly according to plan, but it taught me lots of lessons that I’ll take on with me to the next book. And I did finish it, always the hardest bit.
Short story wise I’ve had a reasonably successful year, achieving way more than I ever thought I would. I’ve had a tiny wee piece of flash fiction published in Black Static as part of the Campaign for Real Fear- picking up a copy in Alt:Fiction and seeing my name in print was particularly exciting! I’ve been published twice in Hub Magazine and received some fabulous feedback on the stories. I’ve found homes for other stories in the From the Dark Side and Farrago anthologies, had a spot on the Un:Bound blog for Barleycorn (one of my favourites) and recently became involved in Dark Fiction Magazine where I had a lot of fun reading out Sarah Pinborough’s Do You See? I even had two of my own stories included, the second of which was a Christmas ghost story read out by Kim Lakin-Smith (who did a beyond fabulous job!). It’s been a good year for me and short fiction, and I owe a huge thanks to everyone who took a punt on an unknown writer. I hope I can keep it up in 2011!
Speaking of Alt:Fiction, I am pleased that I got my arse out of the house for once and attended a proper convention, meeting many lovely people and hearing so much writerly wisdom that I was filled with huge optimism and enthusiasm as well as dread and terror at the size of the task in front of me. Mostly, I just loved geeking out about books for an entire day with a bunch of like minded people.
I started writing Dead Zoo Shuffle in November with Nanowrimo. DZS was a big challenge for me; it was science-fiction/crime, and written in the first person, neither of which I had tried with a full length novel before. I got through 50,000 words in a month, and of course I’m still writing the bugger. Mainly I’m pleased with how much this book is making me think- trying to figure out the plot of a crime novel at 9.30am in Starbucks really sets you up for the day.
So at the beginning of 2010 I christened it “The Year of Writing Dangerously”, and in many ways it was. I formed a routine and forced myself to stick to it, and wrote more words in one year than I ever have before (the quality of those words is quite another thing, of course). I wouldn’t have had such a fun and groovy year without the help of a number of people, so since I’m here I’d like to say a quick thank you! Firstly, to my partner Marty Perrett (@Boxroom on twitter and go here for his website-http://boxroomboy.co.uk/ ) who has provided endless support and chocolate in the face of my erratic enthusiasm and changeable moods, whilst also putting together some amazing creative projects of his own. Thanks as well to Adam Christopher (@ghostfinder on twitter and go here for his blog-http://www.adamchristopher.co.uk/ ) a friend and writing buddy who has beta read for me all year, always giving useful advice and a kick up the arse when needed. I also owe Adam specifically for his ability to remind me of the right writing competition at the right moment, and for singing my praises to others. I’ve been lucky enough to meet a whole gang of marvellous people on twitter too, including Sharon Ring (@DFReview) and Del Lakin-Smith (@dellakin_smith) in charge of Dark Fiction Magazine http://www.darkfictionmagazine.co.uk/, and Neil C Ford (@nubenu) who was kind enough to lend a struggling writer a netbook, enabling me to construct my coffee shop related writing routine. Thanks also to the lovely Adele (@Hagelrat) at the Un:Bound blog http://hagelrat.blogspot.com/, and the charming Alasdair Stuart at Hub magazine http://www.hubfiction.com/ who were kind enough to give my stories a home. And a general hug and slurred drunken “love ya!” to all the fabulous twitter peeps who have kept me sane and entertained this year- you know who you are!
So if this was The Year of Writing Dangerously, what is 2011? The Year of Getting My Arse in Gear and Finally Editing Something?
Tuesday, 28 December 2010
Tuesday, 21 December 2010
The Twelve Days Anthology from Dark Fiction Magazine
So it's here, on the darkest and spookiest day of the year- twelve stories to captivate, amuse, and give you the shivers. My story "Milk" is the first one on there, narrated by the lovely Kim Lakin-Smith (go find out more about that talented lady here: http://www.kimlakin-smith.com/ ) and I am tremendously proud of it. I've been full of the flu for the last two weeks so I wasn't able to read the story out myself (I sound rather like a bucket full of poorly frogs) but this turned out to be a blessing in disguise, as Kim's voice suits the story so well I actually fidgitedy about with glee while listening to it. I'm also proud of "Milk" simply because I rather like it myself for once, and I don't often have a lot of affection for my own work.
Go here to listen to some excellent short fiction: http://www.darkfictionmagazine.co.uk/episode/twelve-days-anthology/
I'm working my way through them all now, and it is a marvellous little treat of wintery goodness.
Go here to listen to some excellent short fiction: http://www.darkfictionmagazine.co.uk/episode/twelve-days-anthology/
I'm working my way through them all now, and it is a marvellous little treat of wintery goodness.
Monday, 20 December 2010
The Brave Bit
And lo, we enter the armpit of my writing year, the blind boil on the bottom of my writing schedule; here we come my friends to December, the worst of all writing months.
It’s easy for me to appear to be a fantastic, productive writer in November. Nanowrimo surges me through the month on a tidal wave of word counts, calendars, countdowns, word sprints and all nighters, presenting me gleaming and victorious on the other side with 50,000 words and a certificate of win clutched in one triumphant fist. I write my socks off that month and kick writerly ass in all directions; I even wrote a short story this time, as if I didn’t have enough to do, and managed it all with, if not grace, then at least relentless cheeriness.
So it is always painful to come immediately to the bumhole that is December, when you have so recently bathed in glory and achievement. In December I am exhausted, for a start, burnt out from all the late nights and early mornings of the previous month, and there’s the sudden looming horror of Christmas, which I am inevitably underprepared for because I’ve been throwing my heart and soul into Nanowrimo. I suddenly need to figure out what I’m getting people and how, and when, and with which magical beans, and there are social gatherings happening that might require my attendance and for me to wear something other than an old chocolate encrusted jumper.
And the real bitch of it is, thanks to Nanowrimo I’m also at the hardest point in the book, that stinking gulf of words between 50,000 and 70,000 words where anything and everything can go wrong, and usually does. Every time it is the same for me- this is the point where I desperately want to give up and start something new, where I’m convinced I’m a terrible writer and the story I’m telling is boring, pointless and barely makes any sense. Every word is an agony and all attempts to make something new and shiny shrivel and die on the page.
Oh December, what fresh hell is this?
So this is the Brave Bit. Nanowrimo makes you look exciting and bold and impossibly glamorous, with your thousands of words under your belt, but if you’re like me and the book needs another 50,000 words to finish, then December is where you show your true bravery; where you screw your courage to the sticking place and bear down for the sheer excruciating agony of writing. You’re in for the hardest part of the journey now and there’s no comforting community to keep you going, no sense of a joyful challenge or even the false assurances that you’re not that bad a writer- there’s only all those blank pages to fill, a worryingly tight shopping schedule and a parade of increasingly threatening Santas.
So, I’ll come back to it all in January, yeah?
It’s easy for me to appear to be a fantastic, productive writer in November. Nanowrimo surges me through the month on a tidal wave of word counts, calendars, countdowns, word sprints and all nighters, presenting me gleaming and victorious on the other side with 50,000 words and a certificate of win clutched in one triumphant fist. I write my socks off that month and kick writerly ass in all directions; I even wrote a short story this time, as if I didn’t have enough to do, and managed it all with, if not grace, then at least relentless cheeriness.
So it is always painful to come immediately to the bumhole that is December, when you have so recently bathed in glory and achievement. In December I am exhausted, for a start, burnt out from all the late nights and early mornings of the previous month, and there’s the sudden looming horror of Christmas, which I am inevitably underprepared for because I’ve been throwing my heart and soul into Nanowrimo. I suddenly need to figure out what I’m getting people and how, and when, and with which magical beans, and there are social gatherings happening that might require my attendance and for me to wear something other than an old chocolate encrusted jumper.
And the real bitch of it is, thanks to Nanowrimo I’m also at the hardest point in the book, that stinking gulf of words between 50,000 and 70,000 words where anything and everything can go wrong, and usually does. Every time it is the same for me- this is the point where I desperately want to give up and start something new, where I’m convinced I’m a terrible writer and the story I’m telling is boring, pointless and barely makes any sense. Every word is an agony and all attempts to make something new and shiny shrivel and die on the page.
Oh December, what fresh hell is this?
So this is the Brave Bit. Nanowrimo makes you look exciting and bold and impossibly glamorous, with your thousands of words under your belt, but if you’re like me and the book needs another 50,000 words to finish, then December is where you show your true bravery; where you screw your courage to the sticking place and bear down for the sheer excruciating agony of writing. You’re in for the hardest part of the journey now and there’s no comforting community to keep you going, no sense of a joyful challenge or even the false assurances that you’re not that bad a writer- there’s only all those blank pages to fill, a worryingly tight shopping schedule and a parade of increasingly threatening Santas.
So, I’ll come back to it all in January, yeah?
Friday, 3 December 2010
Dark Fiction Magazine's Twelve Days Anthology
So Nanowrimo is over, Dead Zoo Shuffle is half way through, and hopefully I'll be back to blogging again regularly. Phew!
Just a quick note today to do a brief snoopy dance of Christmas joy- not because I've actually done all my Christmas shopping (pressies bought = 2) or because I remembered to buy an advent calendar, but because my short story "Milk" has been chosen as the "maids a milking" section of Dark Fiction Magazine's Twelve Days Anthology.
All the details are here: http://www.darkfictionmagazine.co.uk/blog/twelve-days-anthology-the-winning-stories/
I've also been lucky enough to have another one of my stories included in Dark Fiction Magazine in Episode 2: Dystopian Desires. If you haven't heard it yet, On the Last Wave is here: http://www.darkfictionmagazine.co.uk/episode/issue-2/
Obviously, I'm dead excited about this because it means my name is appearing next to some authors who I really admire- a truly fab christmas present. ;)
Just a quick note today to do a brief snoopy dance of Christmas joy- not because I've actually done all my Christmas shopping (pressies bought = 2) or because I remembered to buy an advent calendar, but because my short story "Milk" has been chosen as the "maids a milking" section of Dark Fiction Magazine's Twelve Days Anthology.
All the details are here: http://www.darkfictionmagazine.co.uk/blog/twelve-days-anthology-the-winning-stories/
I've also been lucky enough to have another one of my stories included in Dark Fiction Magazine in Episode 2: Dystopian Desires. If you haven't heard it yet, On the Last Wave is here: http://www.darkfictionmagazine.co.uk/episode/issue-2/
Obviously, I'm dead excited about this because it means my name is appearing next to some authors who I really admire- a truly fab christmas present. ;)
Monday, 29 November 2010
Dead Zoo Shufflings
At risk of jinxing myself, since I haven’t actually crossed the finish line yet (800 words to go!) I thought I’d do a quick post about this year’s nanowrimo experience, and the first 50,000 words of Dead Zoo Shuffle.
It started off rather peacefully, with a week in less than sunny Cornwall to bash out as many words as possible. Despite being largely sozzled much of the time I did manage to get a reasonable amount done on the incredibly long train journey, and in small country pubs with roaring fires. Really, I wish the entire Nano experience could be as picturesque and relaxing.
The following three weeks however, with work and my occasional attempts at a social life, have flown by at an alarming rate. So quickly in fact that I think I’ve barely been on the Nano forums this year, and have had none of the usual encouraging nanomail chats and banter. I’m a bit disappointed about that, as I always enjoy the sense of writerly community November brings, but it seems this year I had no time to do anything but get my head down and write.
Dead Zoo Shuffle itself is proving to be an interesting book to put together. I knew it would be a challenge, because it was both crime and science-fiction, both genres I don’t normally have much to do with aside from reading them, and I wanted it to be in the First Person. Since the only other book I’ve attempted to write from that viewpoint was a massive failure I half expected to give in during week 2 and make the whole thing third person after all.
But I haven’t. It’s hard, and I struggle with some of the twists and turns, but so far Dead Zoo Shuffle has managed to do something quite rare- it’s kept my interest at all times. Not to say that I’ve been bored shitless by my previous books, but there’s almost always a moment where I think “Ye gods, if I have to write about one more night by the campfire I am going to kill someone” or “How can I make their journey over to this place remotely interesting?”. DZS, with its teeming city planet of dodgy bars and even dodgier mercenaries, with its aliens and spaceships and artificial moons, has been strangely refreshing. Dead Zoo Shuffle has so much to keep me occupied I can barely keep up with it.
So hurrah for Nano for providing me with another interesting November. And here’s to the next 50,000 words!
It started off rather peacefully, with a week in less than sunny Cornwall to bash out as many words as possible. Despite being largely sozzled much of the time I did manage to get a reasonable amount done on the incredibly long train journey, and in small country pubs with roaring fires. Really, I wish the entire Nano experience could be as picturesque and relaxing.
The following three weeks however, with work and my occasional attempts at a social life, have flown by at an alarming rate. So quickly in fact that I think I’ve barely been on the Nano forums this year, and have had none of the usual encouraging nanomail chats and banter. I’m a bit disappointed about that, as I always enjoy the sense of writerly community November brings, but it seems this year I had no time to do anything but get my head down and write.
Dead Zoo Shuffle itself is proving to be an interesting book to put together. I knew it would be a challenge, because it was both crime and science-fiction, both genres I don’t normally have much to do with aside from reading them, and I wanted it to be in the First Person. Since the only other book I’ve attempted to write from that viewpoint was a massive failure I half expected to give in during week 2 and make the whole thing third person after all.
But I haven’t. It’s hard, and I struggle with some of the twists and turns, but so far Dead Zoo Shuffle has managed to do something quite rare- it’s kept my interest at all times. Not to say that I’ve been bored shitless by my previous books, but there’s almost always a moment where I think “Ye gods, if I have to write about one more night by the campfire I am going to kill someone” or “How can I make their journey over to this place remotely interesting?”. DZS, with its teeming city planet of dodgy bars and even dodgier mercenaries, with its aliens and spaceships and artificial moons, has been strangely refreshing. Dead Zoo Shuffle has so much to keep me occupied I can barely keep up with it.
So hurrah for Nano for providing me with another interesting November. And here’s to the next 50,000 words!
Sunday, 28 November 2010
Exciting news from Un:Bound
Remember the rather groovy blog that published my short story Barleycorn? Well, more exciting things are going down at Un:Bound- here be the press release:
Un:Bound Video Editions
For Immediate Release
They told me I was crazy and i'd need a team as crazy as me to pull it off. Fortunately I knew exactly where to get them. Admittedly my crack team of presenter Kat Heubeck, director and video editor Vincent Holland-Keen, news anchor Alasdair Stuart and grizzled editor Lee Harris are not the team I would put together for a lucrative casino hit. Pulling together a show like Un:Bound VE though? I couldn't ask for a better squad of genre fiction grifters.
Don't believe me? I talked to Catherine Rogers of Writing East Midlands about the heist, I mean the show, and here's what she said:
“This, it seems to me, is a natural move for George, sorry Adele as he, sorry, she has been taking over the genre world with her extraordinary team.
Sorry Adele as what , George Clooney, Oceans whatever c'mon? Un:Bound being compared to Oceans numbers - no way. I'm thinking more along the lines of Neo, red pills, Morpheus etc.
So red pills aside / taken etc ... Writing East Midlands' mission statement says something about nurturing new writers in the region ... yes so that includes new writing talent and this by all accounts is just that .... on vidcast. Yay! Check it out.
That was 'red' right?”
Yes, Catherine, yes. No chunky knit wear or unnecessary dance routines here, just a cool, suave look at the latest in genre fiction. And Cthulhu. He was very insistent I mention him.
Fellow Evil Genius ™ Alex Davis had a slightly different take on things, which also makes a worrying amount of sense:
'It sounds more like the A-Team to me than Ocean's Eleven... This truly is the crack commando unit of the genre - in fact the recording equipment was constructed from four elastic bands, three toilet roll tubes and a broken down ZX Spectrum. So if you have a problem, and you need help, and you can find them, maybe you can hire... the Unbound Video Editions team.'
Danny Ocean's team of elegant con men and the world's least violent lethal commando unit. That's heady company to be keeping. So when does the con begin? I mean the show air? And where? Simple it's going to go live on 6th December 2011 at 8:00pm (GMT) at the site http://www.unboundve.com . Except, much like that bit with Brad Pitt walking through the casino talking on the phone? We're not quite done. The following weeks will see additional footage of the interviews go live as we continue to plunder the vaults of genre fiction for all things bright, shiny and awesome.
So why not join us? Just remember, don't take the blue pill, don't take your eyes off the vault door and always, always, bet on Unbound.
UBVE will be running a giveaway as part of the launch week so please look out for further details and prizes.
If you want to go and check out the current cool stuff available, get yourself over here http://hagelrat.blogspot.com/
Un:Bound Video Editions
For Immediate Release
They told me I was crazy and i'd need a team as crazy as me to pull it off. Fortunately I knew exactly where to get them. Admittedly my crack team of presenter Kat Heubeck, director and video editor Vincent Holland-Keen, news anchor Alasdair Stuart and grizzled editor Lee Harris are not the team I would put together for a lucrative casino hit. Pulling together a show like Un:Bound VE though? I couldn't ask for a better squad of genre fiction grifters.
Don't believe me? I talked to Catherine Rogers of Writing East Midlands about the heist, I mean the show, and here's what she said:
“This, it seems to me, is a natural move for George, sorry Adele as he, sorry, she has been taking over the genre world with her extraordinary team.
Sorry Adele as what , George Clooney, Oceans whatever c'mon? Un:Bound being compared to Oceans numbers - no way. I'm thinking more along the lines of Neo, red pills, Morpheus etc.
So red pills aside / taken etc ... Writing East Midlands' mission statement says something about nurturing new writers in the region ... yes so that includes new writing talent and this by all accounts is just that .... on vidcast. Yay! Check it out.
That was 'red' right?”
Yes, Catherine, yes. No chunky knit wear or unnecessary dance routines here, just a cool, suave look at the latest in genre fiction. And Cthulhu. He was very insistent I mention him.
Fellow Evil Genius ™ Alex Davis had a slightly different take on things, which also makes a worrying amount of sense:
'It sounds more like the A-Team to me than Ocean's Eleven... This truly is the crack commando unit of the genre - in fact the recording equipment was constructed from four elastic bands, three toilet roll tubes and a broken down ZX Spectrum. So if you have a problem, and you need help, and you can find them, maybe you can hire... the Unbound Video Editions team.'
Danny Ocean's team of elegant con men and the world's least violent lethal commando unit. That's heady company to be keeping. So when does the con begin? I mean the show air? And where? Simple it's going to go live on 6th December 2011 at 8:00pm (GMT) at the site http://www.unboundve.com . Except, much like that bit with Brad Pitt walking through the casino talking on the phone? We're not quite done. The following weeks will see additional footage of the interviews go live as we continue to plunder the vaults of genre fiction for all things bright, shiny and awesome.
So why not join us? Just remember, don't take the blue pill, don't take your eyes off the vault door and always, always, bet on Unbound.
UBVE will be running a giveaway as part of the launch week so please look out for further details and prizes.
If you want to go and check out the current cool stuff available, get yourself over here http://hagelrat.blogspot.com/
Wednesday, 10 November 2010
Nanowrimo & the Small Plastic Dragon
So we are ten days into Nanowrimo. I’m glad to report that it has been proceeding reasonably well, and Dead Zoo Shuffle is 15,000 words in at Chapter 5- amazingly enough, exactly where I am supposed to be. The first five days were relatively easy, given that I was on holiday and had the rather lovely landscape of Cornwall to look at (which is always fabulous, even in November- possibly especially in November, with all the mists and autumn trees and fierce waves. If anything I was vaguely disappointed I wasn’t writing an epic fantasy of the sort that starts out in grassy hills and ends in perilous mountains…). I did my writing on the train, at the dinner table and in small country pubs, and had no trouble reaching the daily word count.
Writing while also having to go to work is a little bit trickier, but luckily I have formulated a routine over the last few months where I sneak into libraries and coffee shops and get it all done before I even have to think about the day job. This has set me in good stead for Nanowrimo, although that’s not to say it isn’t a struggle; the pace and the pressure are somewhat more extreme, after all, and I can’t give myself the night off just because I’m feeling sleepy.
The book itself is both hugely fun to write and incredibly challenging. I’ve written in the First Person before for short stories but keeping it going for an entire novel throws up all sorts of difficulties, not to mention the complications of writing about a human character on an alien world- and at its heart this is more a crime novel than a science-fiction story. But I’m loving Dirk Marshall and Zootsi, even Fredo and his dubious personal hygiene, and the dialogue in this story feels more natural than I’ve managed before.
So in celebration of my wobbly progress, I offer up some things I have learnt over the last few years of Nanowrimo that seem to have helped me:
Tell everyone you know that you’re doing it. I found this awkward and embarrassing the first year, as trying to explain why you’re writing an entire book in a month isn’t easy (“Yes, 50,000 words… Yes, I have to write them all myself… No, you don’t get a prize or any money at the end of it… well, it’s more about having, you know, written an entire book…”) but if everyone is expecting you to be flourishing 50,000 words worth of manuscript at the end of the month you’re less like to give up when you’re feeling a bit tired.
Rewards! Yes, the book at the end is the true reward, ahem, but that’s not to say that you can’t treat yourself with cool stuff as well. Don’t save it all for reaching the end either; 20,000 words is especially sweet when you can finally eat that special bar of chocolate or buy that CD. This year I have a Duncan the Grey Warden action figure on order for my future glory (What? Toys are rewards. Toys are allowed).
Speaking of toys, see if you can find a writing space! They probably aren’t essential, and to be honest I have used mine exactly 3 times so far this month, but having a little nook that is dedicated to writing and your book can help you feel like you’re taking it seriously. My desk is surrounded by pictures of things that interest me, and covered in toys, or, uh, writing mascots. This year I am assisted by Charlie the My Little Pony (a Nano veteran), Tyrion the Small Plastic Dragon and a couple of gaming dice for the cat to push onto the floor to wake me up (hopefully, they will soon be joined by Fully Articulated Duncan).
And there you go, those are my three main tips for Nanowrimo success, or at least, Nanowrimo fun. And if you are doing it this year, tell me what you’re writing about- my favourite form of procrastination is reading other people’s synopsises…
Good luck!
Writing while also having to go to work is a little bit trickier, but luckily I have formulated a routine over the last few months where I sneak into libraries and coffee shops and get it all done before I even have to think about the day job. This has set me in good stead for Nanowrimo, although that’s not to say it isn’t a struggle; the pace and the pressure are somewhat more extreme, after all, and I can’t give myself the night off just because I’m feeling sleepy.
The book itself is both hugely fun to write and incredibly challenging. I’ve written in the First Person before for short stories but keeping it going for an entire novel throws up all sorts of difficulties, not to mention the complications of writing about a human character on an alien world- and at its heart this is more a crime novel than a science-fiction story. But I’m loving Dirk Marshall and Zootsi, even Fredo and his dubious personal hygiene, and the dialogue in this story feels more natural than I’ve managed before.
So in celebration of my wobbly progress, I offer up some things I have learnt over the last few years of Nanowrimo that seem to have helped me:
Tell everyone you know that you’re doing it. I found this awkward and embarrassing the first year, as trying to explain why you’re writing an entire book in a month isn’t easy (“Yes, 50,000 words… Yes, I have to write them all myself… No, you don’t get a prize or any money at the end of it… well, it’s more about having, you know, written an entire book…”) but if everyone is expecting you to be flourishing 50,000 words worth of manuscript at the end of the month you’re less like to give up when you’re feeling a bit tired.
Rewards! Yes, the book at the end is the true reward, ahem, but that’s not to say that you can’t treat yourself with cool stuff as well. Don’t save it all for reaching the end either; 20,000 words is especially sweet when you can finally eat that special bar of chocolate or buy that CD. This year I have a Duncan the Grey Warden action figure on order for my future glory (What? Toys are rewards. Toys are allowed).
Speaking of toys, see if you can find a writing space! They probably aren’t essential, and to be honest I have used mine exactly 3 times so far this month, but having a little nook that is dedicated to writing and your book can help you feel like you’re taking it seriously. My desk is surrounded by pictures of things that interest me, and covered in toys, or, uh, writing mascots. This year I am assisted by Charlie the My Little Pony (a Nano veteran), Tyrion the Small Plastic Dragon and a couple of gaming dice for the cat to push onto the floor to wake me up (hopefully, they will soon be joined by Fully Articulated Duncan).
And there you go, those are my three main tips for Nanowrimo success, or at least, Nanowrimo fun. And if you are doing it this year, tell me what you’re writing about- my favourite form of procrastination is reading other people’s synopsises…
Good luck!
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